The Red House Mystery by A. A. Milne (1922)

Murder mysteries make death engaging and amusing. That is an amazing feat. Death especially in the states is almost a taboo thing. It has deep emotional and religious ties which make it hard to talk about seriously. If death is difficult, murder should an impossible conversation piece. One could reasonably argue that murder is the worst form of death. Murder exist in a dark cloud of resentment, revenge and fear. Yet I declare that murder mysteries are fun and entertaining. Somehow by focusing on the means and motives of murder we create the illusion of a puzzle and obscure the actual macabre nature of the killing. I have no doubt that a personal brush with murder would leave me confused and drowning with fear. Why then do books featuring brilliant detectives excite me? My hypocrisy is fascinating.

Antony Gillingham accidentally stumbles into a murder the same way you might accidentally step in a puddle coming home on a rainy night. A man is killed in a locked room without any indication of suicide or motive. The brother of the murdered man is missing and so is the revolver. Antony decides in a flippant way to try his hand at detecting. Convincing his friend Bill to play Watson while he channels Sherlock the pair attempt to get to the bottom of The Red House Mystery.


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